contact name: Karl Unnasch
phone: 507-272-0452
email: karl@karlunnasch.com
location address:
29803 Hot Iron Dr.
Chatfield MN 55923
open to public: yes
hours: evenings
mailing address:
31314 Hwy 30
Chatfield MN 55923
Related Organizations:
Minnesota Citizens for the Arts
Southeastern Minnesota Arts Council
EDUCATION
2003 MFA, University of Massachusetts Dartmouth, Dartmouth, Massachusetts
1995 BFA, Winona State University, Winona, Minnesota
GRANTS
2007 (Southeastern Minnesota Arts Council), support grant recipient
2005 (Southeastern Minnesota Arts Council), support grant recipient
1999 Jerome Foundation, support grant recipient
(Southeastern Minnesota Arts Council), support grant recipient
1998 (Southeastern Minnesota Arts Council), support grant recipient
1997 (Southeastern Minnesota Arts Council), support grant recipient
FELLOWSHIPS
2007 McKnight Minnesota Visual Arts Fellowship (finalist)
ARTIST IN RESIDENCY
2009 Kohler Artist in Residence (accepted), Sheboygan, WI
Sculpture Space Residency, Utica, NY
2008 Standard Issue Iron Pour 2 (director), rural Chatfield, MN
2007 Kohler Artist in Residence (finalist and alternate)
Standard Issue Iron Pour Residency (director), rural Chatfield, MN
2002 Iron Rodeo, Maryhill Museum of Art, Maryhill, WA
2000 Artist in Residence, St. John’s Pottery, Collegeville, MN
1999 The 3rd Annual US/UK Contemporary Cast Iron Sculpture Seminar and Pour, Laxfield, Suffolk, UK
EXHIBITIONS
2008 ONE INCH PUNCH, solo, Rochester Art Center, Rochester, MN
ZOOLOGICA FANTASTICA, Cantor Art Gallery, College of the Holy Cross, Worchester, MA
2007 FERROUS AURORA, Lizzards Art Gallery, Duluth, MN
COMMONWEAL STASH, Commonweal Theatre, Lanesboro, MN
HEAD ACRES, The Berwick Institute, Boston, MA
FISH & CHIPS, Cornucopia Art Center, Lanesboro, MN
DEATH BECOMES THEM, Luckystar Gallery, Milwaukee, WI
RECLAIMED, New Bedford Art Museum, New Bedford, MA
SQUARE OFF, Luckystar Art Gallery, Chicago, IL
2006 EDGES OF GRACE, Fuller Museum, Brockon, MA
MIX PLATE SPECIAL, Cast Iron Invitational, Winona, MN
NATURE CALLS, University of Wisconsin, LaCrosse, WI
PENSIVE COLLISIONS (solo), Cornucopia Art Center, Lanesboro, MN
LIFE AND DEATH, M-80 gallery, Milwaukee, WI
2005 SURREAL VIGNETTES (solo), Ohio University, Athens, OH
DEGENERATE MAGAZINES, Dollhaus Gallery, Brooklyn, NY
2004 DOLLHOUSES AT THE DOLLHAUS, Dollhaus Gallery, Brooklyn, NY
MOVE, Rochester Art Center, Rochester, MN
URBAN VIGNETTES (solo), The Artists Foundation, S. Boston, MA
TACTICAL INTERVENTIONS (with Spurse), Mass Moca, North Adams, MA
ENCHANTMENTS, Wave Hill, Bronx, NY
FOR THE BIRDS, Artspace, New Haven, CN
2003 CREEP SHOW, Varnish Fine Art, San Francisco, CA
BRAVE DESTINY, Williamsburg Art and Historical Center, Brooklyn, NY
MASTERS THESIS SHOW, CVPA Star Store, New Bedford, MA
IRON BUTTERFLY, Franconia Sculpture Park, Shafer, MN
IRON RODEO, Center on Contemporary Art, Seattle, WA
2002 BODY OF CLAY, SOUL OF FIRE, traveling exhibition, MN & SD
2001 FROM THE EDGE, Bloomington Art Center, Bloomington, MN
2000 WINTER JURIED SHOW, The Art Complex Museum, Duxbury, MA
ART AT THE CAPITOL, Senate offices, St. Paul, MA
1999 Gateway Sculpture Park, Minneapolis, MN
NATIVE SONS, Cornucopia Arts Center, Lanesboro, MN
1998 SUMMER INSTALLATION, Franconia Sculpture Park, Shafer, MN
BORDER TO BORDER, Minnesota State Arts Board gallery, St. Paul, MN
Regis Center for Art, Minneapolis, Minnesota
M-80, Milwaukee, Wisconsin
Mass MoCA, North Adams, Massachusetts
Luckystar Gallery, Milwaukee, Wisconsin
Gallery 13, Minneapolis, Minnesota
Varnish Fine Art, San Francisco, California
Cornucopia Art Center, Lanesboro, Minnesota
STATEMENT
I am interested in the societal bandwidth I call “peripheral artistic culture,” or “hobbyism” as a creative pursuit whose end results are honestly, passionately, and often obsessively sought for the enjoyment and satisfaction of an audience of one; the self. It is the very parallels I draw between peripheral artistic culture and islolationism that I find to be of utmost importance. These parallels serve to symbolically buttress my portrayals of the clashes between order (urbanization) and entropy (nature). These clashes are quietly referenced in the miniature landscapes constructed upon/within the work. Reclaimed urban detritus such as salvaged objects and dead fauna are selected as physical and subjective foundations. Dead organic matter and scrap debris are often seen as unpleasant or ugly, hence fantastic settings are pieced together upon these harsh realities of death and loss as a means of escape from horror, investigation of subject, and consideration of beauty. Often I work to draw the viewer toward points of interest and contemplation within these works by changing the familiar context of the materials and narrative(s). As the viewer is seduced to approach, one will discover various adjusted stages whereby a former familiar observation is stripped away and an entirely new prospect is revealed.
Country of Citizenship:
United States
Gender:
Male
Active Place:
Minnesota
Minnesota County:
Fillmore
Artist
Bright Stars: Harmony and Lanesboro in Fillmore County
RAC Art 101: Humor in Contemporary Art
Sculpture
Sculpture + Mixed Media painting
TEN: Scott Stulen: Project Director, mnartists.org