There are three characteristics of myself and my work which I will indefinitely aspire, independence, control, and power, all of which our culture undermines with the sexual objectification of women. This objectification, however, could be taken advantage of and thus controlled. The women in my paintings are armed, whether that be literally or figuratively, they have the means to overpower their situation. High heels are the epitome of sex; I like to associate them with such outlandish feats as climbing lavender mountains or struggling out of a gun barrel. The aggressive sexuality of some figures contrasts with the passive innocence of youth also apparent in this work. The centered youth represents innocence, taking in the world like a porous sponge with no filter. This scares me. Babies are susceptible to each and every social harm imaginable and it is the same corrupt culture which claims to take care of them. This baby represents a new life. Life is the light that continually competes with the darkness that death brings. Both are inevitable but the light shines stronger. I use high contrast to replicate the sense of light through a process of paint sculpting on a gesso prepped board. The beginning stages are tentative, careful, and uncertain but once the progress heightens, so does my confidence along with the power of the painting itself.
Painter
Over there
Who are you?
New
She Always Wins
Hack Away
Baby Boom
Gnome crimes
Washington Bridge Public Art Sculpture
Stuck
Tough Guy
Untitled
Blow
Bound
Overcome
B A Senior Art Exhibition Show
TV Babe
Bones
Chomper
Green Lady
Media at the Beach
Tip Toe Through the Grenades
SOAP Collaboration
Blow Dry
Legs
Tele Sandbox
Tele Roast
What'll it be?
Poach or be Poached
He be Poppin'
A Banana for Monk Monk
Son, You Don't Look Old Enough to Me
Look Away
Stems
Sea Lite
Authenticity